Great TV Shows

game-of-thrones-hbo-tv-series-9These aren’t in any special order, but this will give you some idea of my taste and background in this boundless medium:

Game of Thrones

Lost

The Sopranos

Friends

Mad Men

Six Feet Under

Modern Family

Seinfeld

The Mary Tyler Moore Show

Curb Your Enthusiasm

The West Wing

Freaks and Geeks

30 Rock

Friday Night Lights

The Good Wife

Chappelle’s Show

Alias

New Girl

The Mindy Project

All in the Family

Saturday Night Live

Veronica Mars

Sex and the City

Girls

Life on Mars (the British version)

Frasier

Cheers

The Office (the British version)

Revisiting ‘The Beauty Myth’

beautymythI just finished re-reading Naomi Wolf’s The Beauty Myth, which I haven’t actually read since college women’s studies class. It was pretty new then — I distinctly remember Wolf visiting Northwestern’s campus to fire us all up about the idea of Third Wave feminism — and it certainly spoke to me, as a budding feminist and beauty product enthusiast. But revisiting it now, 20 years later, evokes an all-too-common feeling I get when reading old feminist texts: Holy shit, nothing has changed. Or, actually, things have only gotten worse, in this case — I couldn’t help wondering what Wolf would make of bikini waxes (perhaps they’d warrant their own chapter, as they did in the book I co-authored, Sexy Feminism) or “vaginal rejuvenation.” At one point she evokes the spectre of sewed-up labia as a possibility in a terrifying future. Welcome to that future.

If you’re not familiar with this book, first, I recommend reading it immediately. If you’re a woman, it will change your life; you will realize you are not irrational, or crazy, or silly. There are compelling reasons you find yourself comparing your wrinkles to other women’s on the subway, or secretly delighting in shots of celebrity cellulite, or spending your whole paycheck at Sephora. Those reasons are systemic, cultural, and hell-bent on patriarchy.

Yeah, it’s a little depressing, but awareness is the first step. And at the end, Wolf outlines some great ways for us to take action against the Beauty Myth — which we must continue to do so that our daughters will look back at us and laugh: Why did you think you had to lose another ten pounds? I’m recording some of those ideas here in handy list form, both to remind myself, and in hopes that anyone else might join me:

1. We can wear lipstick without feeling guilty. We are not the problem here.

2. We must figure out how to celebrate female culture without mixing it up in the repressive demands of patriarchy. Any ideas, anyone? I think something like Lilith Fair, seriously, was a great start. I went to every one of those things in the ’90s — we need some of that energy again. (No, that attempted revival a few years ago was not quite the same.)

3. “Just as the beauty myth did not really care what women looked like as long as women felt ugly, we must see that it does not matter in the least what women look like as long as we feel beautiful.” We need to figure out how to make ourselves, and all women, feel beautiful.

4. We need to stop, as Wolf says, “debating the symptoms more passionately than the disease.” (Most of us in the feminist blogosphere are guilty of some version of this at some time.) “The real issue has nothing to do with whether women wear makeup or don’t, gain weight or lose it, have surgery or shun it, dress up or down, make our clothing and faces and bodies into works of art or ignore adornment altogether. The real problem is our lack of choice.” Here’s what that means to me: We need to stop being complicit in making beauty compulsory for all women. We need to stop judging all other women’s looks, forever, period. I can think of no reasonable exception to this rule.

5. We need to figure out how to give ourselves, and all women, a strong sense of identity that has nothing to do with our physical appearance. We must embrace the idea that all of us can be sexual and serious. One does not preclude the other.

6. We must ignore anyone who tells us we’re not beautiful as a reflex reaction to not liking what we’re saying. That means you, internet trolls. We need to speak up against anyone who uses what women look like, wear, or weigh to discredit what they’re saying.

7. We need to tell others about the destructive powers of the Beauty Myth.

8. “Let us refuse forever to blame ourselves and other women for what it, in its great strength, has tried to do.”

9. We must tell our stories. The internet is great for this.

10. We must try to resist the idea that we must “age youthfully,” that we must embrace the seductive idea that 40 is the new 20, or whatever. I personally don’t want 40 to be the new 20 — that sounds exhausting to me. I want very badly to be cool with my wrinkles and gray hairs. I think older women are beautiful; I really do. I hope I can remember that as I get older and inevitably freak out.

11. We must “look directly at one another, and find alternative images of beauty in a female subculture; seek out the plays, music, films that illuminate women in three dimensions; find the biographies of women, the women’s history, the heroines that in each generation are submerged from view; fill in the terrible, ‘beautiful’ blanks.”

12. This also means we need media literacy, to help ourselves and others see through the images that are fed to us by beauty advertisers. (That means the editorial copy and TV shows that run next to those ads, too.) We have the power, especially with blogging, to speak out against any images that reinforce the Beauty Myth. Women inside mainstream media can help, too, though they’re often hamstrung by those advertisers. Whatever we can sneak into mainstream media is a victory.

13. We must develop and attend to our own sexuality, rather than deriving it from these false images.

14. We must eroticize equality. How? Probably more female-made porn and erotica, for starters.

15. We could stand to see each other naked more. You might resist that locker-room scene, but seeing other women’s bodies, in all their non-standard, non-pornified variations, is a revelation.

16. We need to join with other feminists to fight these battles. We can’t fix any of this alone.

17. We need to hang out with women of all ages. Part of what the Beauty Myth does is to pit us against each other and make us afraid of aging. The more older women you know, the less scary aging gets. And the more younger women you know, the more you’re helping. We need better role models than the ones media handpicks for us.

18. We need to talk about the pitfalls of being “beautiful” as much as we talk about the problems with being deemed “ugly.” This has not historically gone well, of course; remember that woman who wrote about being “too beautiful”? (Summary: Everyone was all, “She’s not all that.”) While our society certainly makes it easier to be “beautiful” and “thin” than what it deems “ugly” and “fat,” women who are regarded as paragons of attractiveness are derided, taken less seriously, and treated as empty objects. They’re always accused of getting something they didn’t deserve, and accusing themselves of such. They’re also terrified of losing the advantage they have — of growing older or plumper.

19. We need to stop seeing each other as competition. It’s so rare that we’re actually competing with another woman for, say, the same man. Why do we feel like we need to compare ourselves to every other woman then? I love Wolf’s ideas about going out of our way to compliment other women, flirt with them, celebrate their beauty.

20. We can resist the urge to objectify men as patriarchy has objectified us. That’s a no-win.

21. “A woman wins by giving herself and other women permission — to eat; to be sexual; to age; to wear overalls, a paste tiara, a Balenciaga gown, a second-hand opera cloak, or combat boots; to cover up or to go practically naked; to do whatever we choose in following — or ignoring — our own aesthetic.”

Women in the World Wrap-Up

Hillary Clinton addresses the Women in the World summit. Courtesy of Daily Beast.

I was lucky enough to be among the hundreds of women gathered in New York Friday for the Daily Beast’s Women in the World summit, where we were inspired by Hillary Clinton, Oprah, and many other amazing famous and non-famous women. Here, a few of the tidbits we learned:

* Nora Ephron knew who Deep Throat was. She predicted correctly to Tom Hanks years before Mark Felt’s identity as the Watergate informant was made known to the world.

* For less than the cost of a Diet Coke, we can provide women with kits that help save their lives in high-risk childbirth.

* The CEO of Sam’s Club is a kickass woman named Roz Brewer. Her message to aspiring female execs: ”You know it. You just need the confidence to go for it. Trust your intuition. Let your voice be heard.”

* Human trafficking is one of the three fastest growing criminal activities in the world. For more information on how to help, check out the amazing work of Joy Ngozi Eleilo, the UN’s special rapporteur on trafficking.

* Diane VonFurstenberg’s mother, a holocaust survivor, weighed just 49 pounds 18 months before VonFurstenberg was born. “As long as we know we should never be victims,” VonFurstenberg said of her mother’s legacy in action, “we can win the war.”

Writing Lessons from Mary Roach

gulp_300I’ve been doing some pre-book-event research to see what other nonfiction authors do at their appearances. Fiction authors and memoirists pretty much universally read from their books, but it’s a little weird to read long passages of narrative nonfiction, for the most part. Suddenly you find yourself, say, reading aloud a quote that Cloris Leachman gave you during an interview, and unless you’re a gifted impressionist, there’s no good way to dramatize this. So I have lots of activities on tap for my appearances: trivia contests, screenings, panel discussions. But I’m always looking for new ideas, so I headed to the Union Square Barnes & Noble last night to see Mary Roach, who writes these amazing books in which she investigates weird little worlds that are kind-of science-related: Stiff was about the death industry, Bonk about sex researchers. Her newest, Gulp, is about the digestive system. She’s a great example of a good writer who found not just a niche, but a thing: Her books are hilarious, filled with colorful characters and a gleeful take on the absurdity of human existence. There’s this constant sense of, Isn’t it wonderfully ridiculous that humans are so into themselves that people dedicate their whole lives to studying what we do to reproduce? She also uncovers loads of fascinating tidbits. (Example: Penguins can turn their stomachs into coolers, essentially, to bring fish back to their young.)

It was cool to hear about all that, of course. But during her conversation last night at the bookstore with Chop’t host Ted Allen, she said two things that stuck with me as a writer:

1. She follows her joyful sense of curiosity wherever it leads her during research. If she finds somebody trying to market pork testicles as a delicacy, and that person is a researcher at Ball State University, that’s funny enough to investigate further, whether or not it fit into her original vision of the book. This seems obvious, but it’s hard for me — I suspect because of my journalism training. I’m used to ferreting out whatever interests my editors, not me. Mary and Lou and Rhoda and Ted‘s manuscript got infinitely better after my brilliant editor, Jon Karp, gave me a talking-to about finding my sense of passion for the subject. I need to remember this from the beginning when I write my next book.

2. She imagines her readers as “a bunch of Mary Roaches.” First, I love the image of one’s audience as just a sea of clones. But more importantly, this works with #1. She trusts that what fascinates her will fascinate enough other people to be worthwhile. This takes confidence as a writer, but it comes through in the writing.

Lessons from Our SEXY FEMINISM Panel

Rachel's BEST SEX WRITING and our SEXY FEMINISM on the shelves at Word.

Rachel’s BEST SEX WRITING and our SEXY FEMINISM on the shelves at Word.

Last night, I had the honor of moderating a panel filled with some of my favorite feminist ladies discussing the big issues of the day (that’s Lean In and gay marriage to you) at Word Bookstore in Brooklyn to promote Sexy Feminism. We had four spectacular women from different parts of the femi-sphere: Rachel Kramer Bussel, the lady to go to for great sex writing and erotica anthologies; Britt Gambino, Sexy Feminist’s gay-lady contributor (as she likes to call herself); Julie Gerstein, an editor at The Frisky; and Jamia Wilson, a media activist. You never really know how panels full of people who have never met will go, especially on such hot topics. But I was blown away by the level of discourse — yes, it was so smart that it was discourse! — as well as the fact that the discussion was entertaining and engaging without being any sort of fight. I wish I’d recorded the entire thing so everyone could see how amazing it was, but instead I’ll give you a few highlights of what I learned:

It doesn’t matter whether the young feminist movement online gets the acknowledgement it deserves from older generations of feminists. Second-Wave women fought hard and fought bravely for so many of the rights we now take for granted: We are no longer our husbands’ property. We no longer need husbands. We have access to jobs they could never dream of, and we have laws and support systems in place to handle domestic violence, sexual violence, sexual harassment, and gender discrimination. They got us all that by taking to the streets, demonstrating, and agitating. We don’t have quite the same sort of massive, critical issues to rally around, but we do have the Internet. And since a ton of our activism now takes place online, many of the older women involved in the movement bemoan the fact that feminism is dead — they literally don’t see us, despite major “wins” like taking the Susan G. Komen Foundation to task for pulling its Planned Parenthood funding and shaming that weird wave of “rape-friendly” political candidates last year. We talked a lot about this last night, and the fact that older activists are often asking us why we aren’t “in the streets” demanding change. It’s largely because we’re on Twitter demanding change, but this is often not acknowledged by our foremothers as real activism — and it was barely mentioned in PBS’ otherwise exhaustive and spectacular MAKERS documentary about feminist history. But the group basically came to the conclusion that we need to stop acting like daughters desperate for their mothers’ approval and instead, as Jamia suggested, make our own documentary of our own piece of the movement. For the record, I’m so into this idea.

There are feminist yoga retreats, y’all! Because it’s important for feminist activists to take care of themselves so they can give the world all they’ve got. Jamia went to one, and it sounded amazing. To me, it also sounds like a great way to get inspired, bond with like-minded women, and probably come up with a bunch of fantastic new ideas. We need to make these happen all the time.

“Leaning In” definitely has its issues. Julie made the great point that all of these attention-getting books and articles about women in the workplace are, as she said, “asking the wrong question.” It’s not about whether women can “have it all,” or learn new skills from Sheryl Sandberg to climb the corporate ladder. The problem is much bigger and more systemic: We all are making less money for more work, forcing most families to need two incomes and overtime just to survive. That’s why no one, male or female, can have it all. Rachel mentioned the many women now running their own small businesses — you don’t have to lean in if you make yourself the CEO. (I know tons of women doing this right now: My sister runs her own boudoir photography business, my friend just launched a wedding-deals site.) And Jamia, one of the few people I’ve encountered who actually read Lean In instead of just talking about it, gave the best critique I’ve heard so far: She told us about her paternal grandmother, a black woman who raised eight children as a single mother in the south, providing for them by cleaning other people’s houses and taking care of other people’s (white) children. The problem with Lean In, she said, is that it doesn’t take into account the less fortunate people you have to “lean on” to get to the corporate suite.

None of us know what the hell to make of marriage anymore. Obviously, we all think gay people should be able to get legally married. Jamia is engaged, but the rest of us were still wishy-washy on the idea. Britt, for one, isn’t sure about getting involved in the whole marriage machine as straight people have built it. (Can’t say I blame her.) When New York legalized gay marriage last year, she experienced sudden resistance to the pressure to conform to straight-marriage traditions.

It’s good to go hang out with smart feminist women sometimes. I loved just talking all this stuff out with others who care about it as much as I do. I need more feminist bonding in my future.

State of Modern Feminism Panel Discussion at Word in Brooklyn Tomorrow!

Please join me for what should be a lively panel discussion about modern feminism. I’ll be talking to some spectacular women: erotica writer/editor Rachel Kramer Bussel, The Frisky blogger Julie Gerstein, SexyFeminist.com contributor Britt Gambino, and feminist media activist Jamia A. Wilson. We’ll be discussing such topics as what feminism means to us, how feminism can be more inclusive as a movement, self-care as a revolutionary act, and marriage equality.

The details: 7 p.m., Thursday March 28, at Word, 126 Franklin St., Brooklyn.

Here’s the Facebook invite if you want to RSVP. Everyone is welcome!

Reading Gloria Steinem

photo (4)With our Sexy Feminism book tour in full swing, I’ve been ODing on Gloria Steinem books. If you may find yourself answering a lot of on-the-spot tough questions about feminism, there’s obviously no better person to channel. I like to think, “What would Gloria do?” when I’m in a pinch. (Or, at least, a pinch that requires more Gloria and less Beyonce.) If you’ve ever seen her speak in public, you know we can all stand to emulate her style a little more: She clearly spent a lot of time practicing her no-bullshit, all-confidence delivery.

I know she must have spent a lot of time practicing this now that I’ve read two of her books, Outrageous Acts and Everyday Rebellions and Revolution from Within. In them, she refers often to her troubled childhood and her lack of self-esteem early on. For me, Outrageous Acts was more fun (remembering that my idea of “fun” is reading about radical ’70s feminists). I have the original 1983 version of the book, which I swiped from my boyfriend’s grandmother’s basement book stash. Just looking at the cover makes me smile goofy like the big pic of Steinem on the cover. But this collection of Steinem pieces also traces her evolution as a journalist and a feminist, something I can relate to. It’s worth the price of admission just for her epic, famous piece about going undercover as a Playboy Bunny. But it doesn’t stop there: The heartfelt essay about her mother’s mental illness, and how that shaped Steinem’s own feminist consciousness, will make you cry. Another piece gives readers one of the first serious glimpses at transsexualism. I loved her Marilyn Monroe piece because it took the famous woman, and the topic of pop culture, seriously as a feminist issue. I learned a ton about Alice Walker. The book also includes her infamous humor piece “If Men Could Menstruate.”

Revolution from Within comes a decade later and is a more cohesive work. It is, in essence, a self-help book about the important work of boosting your own self-esteem as part of feminism. I love that concept, and she reliably stays away from getting too, you know, fluffy. For her, self-esteem is about understanding your childhood as well as the erroneous messages fed to us throughout standard education.

But what can I say? For me, there’s nothing more satisfying than living the Second Wave of feminism through this extraordinary woman, who could put on a Playboy Bunny outfit to show us its absurdity one minute, cover a presidential campaign the next, and finish up with serious explorations of pornography, Marilyn Monroe, and genital mutilation. If you’re looking for the Gloria Steinem book, pick up Outrageous Acts right away.

Advice for ‘Aspiring Writers’

from Wikimedia Commons

from Wikimedia Commons

Almost every place I go, if I tell people I’m a writer, especially if I tell them I have written books that have their very own ISBNs, someone there wants advice. Namely, they are, or they know, or they have kids who are, “aspiring writers.” Having chatted this afternoon with my dentist about this — I should say, having listened to my dentist chat about this while I had a bunch of devices in my mouth — I was going to write a blog post offering my “advice” to “aspiring writers.” Then I came across this amazing post that says a lot of what I would, and does it fantastically. So here are my addendums to those 25 great pieces of advice:

1. Seriously, go read that piece. And stop using the word “aspiring.” In his post, Chuck Wendig explains why that word is not only irritating and a way to diminish the aspirant’s status, but also insulting to real writers. I can’t tell you how many people at cocktail parties, wanting to make innocuous conversation, send me up a wall by responding to my statement of my profession with something like, “Oh, I was going to write a book once.” Were you really? No, you weren’t, or you would have. See, the main difference between me, professional writer, and you, person who was going to write a book once, is the fact that I did. It’s actually kind-of a big deal. As Wendig says, “Here are the two states in which you may exist: person who writes, or person who does not. If you write: you are a writer. If you do not write: you are not. Aspiring is a meaningless null state that romanticizes Not Writing. It’s as ludicrous as saying, ‘I aspire to pick up that piece of paper that fell on the floor.’ Either pick it up or don’t.”

2. If you want to be published, figure out how to do it, and then start doing it. There are a zillion books and classes that will help you on your chosen path. Get a book, take a workshop, and get it done. I hear many complaints from my students about the laborious processes involved in getting published; believe me, I relate, I do it every day. But we all do it every day, and it’s hard to imagine someone figuring out how to change the system of query letters and proposals and manuscript submissions. If you want to be published, follow the rules and do the work. If you don’t want to do those things, you don’t want to be published that badly.

3. Those books and classes I just mentioned? Read them and take them. If you’re stuck in any way with your writing, I really recommend a class, and not just because I teach (and consult, and edit, and etc.). I take them myself when I’m struggling with a new project or just looking for an inspiration refresher. They’ll often tell you a lot of things you already know, but you may have an insight — and you’ll definitely get feedback and ideas. Books about writing are a good alternative. (If you’re interested in private classes in NYC, email me; I hold small group classes/writing groups in my living room periodically.)

4. For the love of God, read, especially the kind of stuff you want to write. One of my students in Creative Writing this term told the class that someone in her writing group claims not to read at all. I don’t understand this. So much of writing comes from reading. Not all of it, but a lot of it. Reading shows you what others are doing, so you know how to give readers fresh insights and twists. It allows you to see how others do certain things — transition to flashbacks, write good dialogue, make supernatural events believable, whatever. It inspires and informs you. How can you give the world something new if you don’t know what the world has already?

5. Embrace rejection. Even as a person who prides herself on taking feedback and rejection quite well, I’m still getting used to the idea of bad reviews. Point being, there’s always a new level of rejection out there for writers to master, like an endless, painful video game.

6. Know we’re all just making this up as we go along. Those of us who are published probably don’t know that much more than you do — we simply went to the classes and read the books and wrote, wrote, wrote, and did what we needed to. We did stuff. You can, too.